CONTACT

CONTACT

CONTACT

Ζωή & Τέχνη

Ένας αέναος κύκλος αλληλεπίδρασης, δημιουργίας, καταστροφής και πάλι απ’ την αρχή ενώνεται εικαστικά, πλαστικά και δημιουργικά μέσα από τη νόηση του καλλιτέχνη. Ανακαλύψτε τα

Η Tέχνη

Ποιος είμαι, τι με οδηγήσε στη δημιουργία της τέχνης, η έκφραση μου μέσα από αυτήν και πώς η δημιουργία συνεχίζεται και δίνει τη θέση της στο μέλλον.

Δήμος Φλέσσας

" Το μέλλον της ελπίδας είναι η ελπίδα του μέλλοντος".

Μανιφέστο του Καλλιτέχνη:

・ Η Καλλιέργεια της Ευαισθησίας

・ Λιγότερη Δουλειά – Περισσότερη Έμπνευση

・ Σφαιρική Άποψη των Τεχνών

・ Η Καλλιτεχνική Πορεία είναι ερευνητική χωρίς τέρμα

・ Η Τέχνη είναι Γέφυρα Επικοινωνίας

・ Κοινοποίηση μιας Αλήθειας οικουμενικής και διαχρονικής

・ Απεριόριστοι Τρόποι Έκφρασης

・ Ας ενεργοποιήσουμε τους Μηχανισμούς Έκφρασης

・ Ο Καλλιτέχνης είναι το Μέσον της Έκφρασης

・ Η Τέχνη μεταφέρει Ενέργεια, όχι Εικόνες

・ Καμία Έπαρση δεν είναι επιτρεπτή από τον Καλλιτέχνη

Τέχνη Εμπνευσμένη από τη ζωή

Ποιος είμαι, τι με οδηγήσε στη δημιουργία της τέχνης, η έκφραση μου μέσα από αυτήν και πώς η δημιουργία συνεχίζεται και δίνει τη θέση της στο μέλλον.

Με φιλοξένησαν οι:

PHASE A

Architecture

Contemporary Greek Art

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Architecture has always been the plastic expression of an idea, and often the model for a work of art.

It gave shape to the physical and spiritual space of action of human existence, always according to the dictates of some ideologically formulated proposal. Buildings accompanied humanity from the beginning of its history, as a cultural shell of the lifestyle of each specific society at a specific historical moment.

Many forms of art were born and died, but people's need for shelter is constant, which is why architecture has never declined, its history is longer than any other and its study is of particular importance for any effort to understand the relationship between people, their relationship with themselves and their relationship with the work of art.

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Its materialistic and at the same time spiritual element determines its scientific completeness, but also the sensitive articulation of its structures, and because the goal is to house the body and the spirit in spaces of individual and collective action, it takes on its shoulders, on the one hand, the burden of responsibility for drawing the boundary between the individual and the social, and on the other hand, the honor of being the most documented testimony of human behavior.

Thus, if necessary within the framework of the natural space, man realizes the limits of his existence within the built space, in that proposed by architectural science, he realizes that space where his action finds expression as an individual and as a group, where matter and spirit, conscious and unconscious, reality and imagination, prosaic and poetic, meet. A space that beyond the data of Cartesian coordinates even encompasses time and his vision, the space that becomes his earthly paradise… or his prison.

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History

DIMOS FLESSAS
ARCHITECT ENGINEER

Studies: Italy - "Universitaria Di Roma"
"La Sapienza"
Start of Professional Activity: 1976 - Freelance
Architectural Studies & Supervision Office

PROFESSIONAL THEME

1. Building Sector
2. Interior Architecture
3. Architectural Finishes & Furniture Design

NEW ARCHITECTURAL STAFF - 2010

MICHALIS FLESSAS - ARCHITECT ENGINEER
Studies: Italy - "Universitaria Di Roma"
"La Sapienza"
THOMAS FLESSAS - ARCHITECT ENGINEER
Studies: England - Huddersfield University

Parallel Activities

B. Visual Arts

C. Applied Arts

B. Visual Arts

C. Applied Arts

Σκέψεις & Νέα

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Εν αρχή ην ο λόγος

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Εν συνεχεία η εικόνα

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